© Konrad Ćwik

Magdalena Lucjan

Soprano
©  Liz Mohn Stiftung/ Besim Mazhiqi
General Management

Polish soprano Magdalena Lucjan is currently a member of the ensemble at the Semperoper Dresden. In the 2025/26 season, she will make role debuts as Pamina (Die Zauberflöte), Frasquita (Carmen), the High Priestess (Aida), and a Flowermaiden in Parsifal.

In the previous season, she appeared at the Semperoper as Papagena (Die Zauberflöte), as A Mother in the world premiere of Ändere die Welt, and as both the Nightingale and the Princess in Ravel’s L’enfant et les sortilèges.

Magdalena is the first prize winner of two major international competitions: Neue Stimmen (2024) in Gütersloh and the Karol Szymanowski International Music Competition (2023) in Katowice. She received the KS Gabriele Sima scholarship (2019) and was supported by the Julian Cochran Foundation.

She studied voice at the Music and Arts University of the City of Vienna with Melba Ramos, and completed her master's degree with distinction at the University of Music and Performing Arts Vienna in the class of Michaela Schuster. From 2022 to 2024, she was a member of the Opera Academy at the Polish National Opera in Warsaw, working closely with Olga Pasiecznik, Izabela Kłosinska, and Edith Wiens.

In 2025, she made her debut at the Cologne Philharmonie and Aalto-Musiktheater Essen with the WDR Symphony Orchestra Cologne under Manfred Honeck in the New Year’s concert Strauss & Puccini. She also sang at the Festival der Musik in Wolfegg, performing Mendelssohn’s Lobgesang and, previously, Schubert’s Mass in E-flat Major with the Staatsorchester Stuttgart.

Recent engagements include Gretel at the Grand Theatre in Łódź and at Schönbrunn Palace Theatre in Vienna, as well as Isabelle in Milhaud’s Salade at the Beethoven Easter Festival in Warsaw. In 2024, she participated in the International Meistersinger Academy in Neumarkt and performed Julian Cochran’s Night Scenes at the Lutosławski Concert Studio in Warsaw. In 2022, she made her Swiss debut as Clorinda (La Cenerentola) at the Ticino Musica Festival under Umberto Finazzi.




28. September 2025 - 14:00

Dresden, Sächsische Staatsoper Dresden

Wolfgang Amadeus Mozart: Die Zauberflöte KV 620

Info & Tickets



4. October 2025 - 19:00

Dresden, Sächsische Staatsoper Dresden

Wolfgang Amadeus Mozart: Die Zauberflöte KV 620

Info & Tickets



1. November 2025 - 19:00

Dresden, Sächsische Staatsoper Dresden

Wolfgang Amadeus Mozart: Die Zauberflöte KV 620

Info & Tickets



  • “As a life-long student of Schubert’s Lieder, I consider the Erlkings to be a most precious addition to his legacy”
    Royal Academy of Music, London
    Richard Stokes, Professor of Lieder at the Royal Academy of Music, London
  • “The care with which these musicians play elicits such an intimacy and closeness to the original, that even someone who has never heard a song by Schubert finds themselves in a state of fascination.”
    SHMF
    Frank Siebert, SHMF
  • “A full-frontal approach to Schubert. They endeavor to unfreeze art song from it’s long, frozen sleep.”
    Deutschland Radio
    Deutschland Radio
  • “The Erlkings have taken Schubert’s songs out of the Biedermeier-parlor and into the beer-garden.”
    WDR 5
    WDR 5 | Kulturmagazin Scala
  • “In conclusion: Rather than a storm of puritanical indignation at their new arrangements of Schubert Lieder, The Erlkings received a wave of uproarious applause.”
    Vorarlberger Nachrichten
    Vorarlberger Nachrichten
  • "Die Evergreens der Romantik ins 21. Jahrhundert zu transportieren. Das haben sich THE ERLKINGS zur Aufgabe gemacht."
    Ö1
    Ö1 Intrada
  • "So kreativ und doch musikalisch kompetent hört man Schuberts “Die schöne Müllerin” selten. Schubert mit Suchtpotential!"
    Mainpost
    Mainpost



Verena Vetter

Verena Vetter

Director, General Management
e-mail
+49 89 44488792
Anne Bilodeau

Anne Bilodeau

e-mail
Associate Artist Manager
+49 89 44488797

  HIGHLIGHTS 2023/2024