Portrait Christian Gerhaher

Christian Gerhaher

Baritone
© Gregor Hohenberg
General Management

During his studies under Paul Kuen and Raimund Grumbach, German baritone Christian Gerhaher attended the Opera School of the Academy of Music in Munich where he studied lied interpretation with Friedemann Berger. While completing his medical studies Christian Gerhaher perfected his vocal training in master-classes given by Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf and Inge Borkh. At present Christian Gerhaher, together with Gerold Huber, holds a class in lied interpretation at the Munich Academy of Music and Theatre, and occasionally teaches at the Royal Academy of Music in London.

Together with his regular piano accompanist Gerold Huber, Christian Gerhaher has devoted himself to lied interpretation for 30 years now, in concerts and recordings, and over the years they have been awarded several major prizes. The lied duo can be heard regularly on the stages of major international recital centres, for instance in the concert halls of New York, the Concertgebouw and Muziekgebouw Amsterdam, the Cologne, Luxembourg and Berlin Philharmonie, the Cité de la musique in Paris, the Konzerthaus and Musikverein in Vienna, the Teatro della Zarzuela in Madrid and in La Scala Milan; they are particularly frequent guests in the Wigmore Hall in London. Christian Gerhaher und Gerold Huber perform regularly at the festivals in Munich, Aix, Heidelberg, Salzburg, Granada, Berlin, Lucerne, Edinburgh, Rheingau and Schleswig Holstein. The Liedwoche Elmau, devised by Christian Gerhaher and Gerold Huber, takes place for the third time in September 2023.

Christian Gerhaher has worked together with conductors such as Sir Simon Rattle, Daniel Harding, Herbert Blomstedt, Bernard Haitink, Pierre Boulez, Christian Thielemann, Kirill Petrenko, Nikolaus Harnoncourt, Sir Antonio Pappano, Daniel Barenboim, Andris Nelsons and Mariss Jansons, and for 25 years has given concerts in the world’s major concert halls. Orchestras which regularly invite Christian Gerhaher to perform include the London Symphony Orchestra, the Concertgebouw Orchestra Amsterdam, and in particular the Berlin Philharmonic, where he was the first ever singer to be artist in residence, as well as the Swedish Radio Symphony and in particular the Bavarian Radio Symphony Orchestra.

Particularly outstanding projects of the past season were tours with a string sextet initiated by Isabelle Faust with a specially created version of Les Nuits d’été by Hector Berlioz, and in addition Othmar Schoeck’s Notturno; concerts with the Swedish Radio Symphony Orchestra conducted by Daniel Harding (works by Dvořák and Brahms); the title role in Berg’s Wozzeck in a new production at the Vienna State Opera, two concert projects with the Berlin Philharmonic (Mahler’s Rückert Lieder conducted by Antonello Manacorda and Zemlinksky’s Lyric Symphony under Kirill Petrenko). The season came to an end with an extensive Hugo Wolf project (Italian and Spanish Song Book, Mörike Songs) which Christian Gerhaher performed in ten recitals in London, Heidelberg, Munich, Madrid and Salzburg.

In the current season Christian Gerhaher can be heard together with Gerold Huber in recitals in London, Berlin, Berne, Valencia, Madrid, Vienna and later at the festivals in Munich, Aix and Salzburg. He again gives guest performances with the Berlin Philharmonic, this time in the title role of Mendelssohn’s Elijah conducted by Kirill Petrenko. In addition with the Boston Symphony Orchestra and the Leipzig Gewandhausorchester, both conducted by Andris Nelsons (concert performances of Tannhäuser, Mendelssohn’s oratorio Paul and Ein deutsches Requiem by Brahms in Leipzig and Salzburg).

Besides giving concerts and recitals, Christian Gerhaher is also a highly sought-after performer on the opera stage and has received several prizes such as the Laurence Olivier Award and the theatre prize Der Faust. His roles include Posa in Verdi’s Don Carlo, Amfortas (Wagner, Parsifal), Lenau (Holliger, Lunea, world premiere in 2018), Germont (Verdi, La Traviata), Figaro and Count Almaviva (Mozart, Le nozze di Figaro) as well as the title roles in Monteverdi’s Orfeo, in Mozart’s Don Giovanni, in Debussy’s Pelléas et Mélisande, in Verdi’s Simon Boccanegra and in Henze’s Der Prinz von Homburg. Wolfram in Richard Wagner’s Tannhäuser was and remains a constant role in his calendar in the opera houses in Berlin, Vienna, London and Munich and soon also at the Salzburg Easter Festival with Andris Nelsons conducting the Leipzig Gewandhausorchester. A milestone in Christian Gerhaher’s opera career was his debut in the title role of Alban Berg’s Wozzeck in September 2015 at Zurich Opera House in the celebrated staging by Andreas Homoki. At the beginning of the 2022/23 season Christian Gerhaher performs Don Alfonso for the first time in a new production of Mozart’s Così fan tutte (stage director: Benedict Andrews, conductor: Vladimir Jurowski) at the Bavarian State Opera. In 2023 he appears in two new productions of Wozzeck, first in London at the Royal Opera House Covent Garden (stage director: Deborah Warner, conductor Antonio Pappano) followed directly by performances at the Festival d’Aix en Provence with Simon Rattle conducting the London Symphony Orchestra in an eagerly anticipated production by Simon McBurney which had to be postponed due to the Corona pandemic.

Christian Gerhaher’s CDs are issued by Sony Music, with which he has an exclusive partnership. Accompanied by Gerold Huber, the Schubert, Schumann and Mahler cycles have been released on this label. A unique project that has preoccupied Christian Gerhaher and Gerold Huber for years – the complete recording of all Robert Schumann’s songs in a box set – was released by his exclusive label Sony Classical in September 2021. Alle Lieder is a coproduction with Bavarian Radio and the Heidelberg Frühling. Early in 2022 the recording of Othmar Schoeck’s Elegie with the Basle Chamber Orchestra and Heinz Holliger were released, Holliger’s poet opera Lunea (on ECM) and Rihm’s Stabat Mater together with Tabea Zimmermann, and in addition his Lyrical Diary (a compendium of essays on lied interpretation) was published by the C. H. Beck Verlag.

Christian Gerhaher and his wife live with their three children in Munich.




7. July 2023

Aix-en-Provence, Grand Théâtre de Provence

Alban Berg: Wozzeck op. 7

Info & Tickets



10. July 2023

Aix-en-Provence, Grand Théâtre de Provence

Alban Berg: Wozzeck op. 7

Info & Tickets



13. July 2023

Aix-en-Provence, Grand Théâtre de Provence

Alban Berg: Wozzeck op. 7

Info & Tickets



  • „Schier überwältigend gerät Christian Gerhahers Wolfram. Der Liedsänger unserer Tage gestaltet mit seinem überreichen, formidablen Bariton die für ihn wie maßgeschneiderte Rolle des melancholisch Verzweifelten, entsagend Liebenden mit perfekter Diktion, Artikulation und Intonation. Interessant zu verfolgen ist, wie vorbildlich und mit welcher Akribie dieser Sänger noch immer an der interpretatorischen Weiterentwicklung einer Rolle feilt […]“
    Opernwelt
    Th. Rauchenwald, Osterfestspiele Salzburg, Tannhäuser, in Opernwelt, 1. April 2023
  • „ ... dafür ist Huber/ Gerhaher das feinste, ehrlichste, klarste Liedduo aller Zeiten und Schumanns Prophet.“
    Frankfurter Allgemeine Sonntagszeitung
    Frankfurter Allgemeine Sonntagszeitung, 05.12.2021
  • "Wer sich einlässt auf diese Lieder, wird im Augenblick berührt, […] gelingt ihm diese ganz unmittelbare, schlichte poetische Mitteilung, das Wahrwerden des lyrischen Ichs. Momente, in denen man den Atem anhält, weil die Stimme mitten ins Herz trifft.
    Süddeutsche Zeitung
    Renate Meinhof „Klassik: Großes Ohrenkino“, in Süddeutsche Zeitung, 17.11.2021
  • „Doch in dieser Komplexität und künstlerischen Kollegialität, das Urteil sei gewagt, hat noch keiner die Lieder gedeutet. Ein Schumannianer wie Gerhaher hat also seinen persönlichen Gipfel bezwungen.“
    Merkur
    Markus Thiel „Schumann-Lieder mit Christan Gerhaher: Gipfelsturm in 299 Etappen.“, in: Merkur, 4.11.2021
  • „Bei seiner wie in Marmor gemeißelten Deklamation verzichtet er auf jene Silbenstecherei, die Roland Barthes als „pléonasme d’intentions“, als Verdopplung der Absichten deklarierte […]. Er ist ein sentimentaler Künstler mit dem Gespür – und klanglich dem Farbensinn – für den Subtext seelenschwerer und gebrochener Lieder.“
    FAZ
    Jürgen Kesting „Der Klang von Perlentränentröpchen”, in: Frankfurter Allgemeine Zeitung, 11.10.2021
  • „Seine herrliche, auf gesundem Kern basierende, lyrisch ummantelte Stimme ist dem Komponisten zu Diensten, nicht der Selbstdarstellung. […] Solche Kunst kann jedenfalls nur in maximaler Eintracht zwischen Sänger und Begleiter gelingen.“
    Rheinische Post
    Wolfram Goertz „Schumanns Friedhöfe“, in Rheinische Post, 14.09.2021
  • „Was diese Aufnahmen […] bieten, übertrifft die kühnsten Erwartungen: Klangfülle, Eloquenz, Farbensinn, feinstes Gespür für Subtexte, begeisternde Versenkung in ein zyklisch aufgefächertes […] Œuvre. Der Bariton und sein Klavierpartner sind mit dieser Großtat zum Maß aller Schumann-Lieder-Dinge geworden.“
  • „Gerhaher’s [...] voice is [...] extraordinarily beautiful; the quieter passages in the upper range come across with an especially beguiling mixture of sweetness and steel. Everything is under astonishing technical control. [...] Huber’s piano-playing, meanwhile, is a constant marvel of sensitivity and control. In every bar you can sense the closeness of the partnership. [...] Gerhaher and Huber achieve an almost alchemistic feat in making so much artistry feel so natural."
    Gramophone
    Hugo Shirley, SCHUMANN Frage (Gerhaher & Huber), in: Gramophone, 02/2019
  • „30 Years on, the World’s Greatest Song Partnership Flourishes The baritone Christian Gerhaher and the pianist Gerold Huber have become bywords for sensitivity, cerebral depth and seeming perfection in lieder.“
    The New York Times
    David Allen: „30 Years on, the World’s Greatest Song Partnership Flourishes”, in: The New York Times, 23.11.2018
  • „The composer wields his large forces in a way that doesn’t overpower individual voices or the text. In the magisterial baritone Christian Gerhaher he found an interpreter able to let Goethe’s densely brilliant lines shine through the music."
    The New York Times
    Corinna da Fonseca-Wollheim: „Review: A Rare Staging Finds the Magic in Schumann’s ‘Faust’”, in: The New York Times, 07.11.2018
  • „GerhaherHuber (one word) […] have set a totally new standard. They took a hold of Lied where Fischer-Dieskau left it […] and stripped it of all artifice. GerhaherHuber are truth in song. [...] You listen on bended knee.”
    Forbes
    Jens F. Laurson: „Oh, Only The Best Schöne Müllerin Ever!“, in: Forbes, 05.12.2017



Verena Vetter KSG

Verena Vetter

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Anne Bilodeau

Anne Bilodeau

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Anja Rauschardt

Anja Rauschardt

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