Portrait María Dueñas

María Dueñas

Violin
© Felix Broede
General Management

Spanish violinist María Dueñas beguiles audiences with the breathtaking array of colours she draws from her instrument. Her technical prowess, artistic maturity and bold interpretations have inspired rave reviews, captivated competition juries, and secured invitations to appear with many of the world’s leading orchestras and conductors. She has been studying with world-renowned Professor Boris Kuschnir at the Music and Arts University of Vienna for several years.

The Frankfurter Allgemeine Zeitung has hailed the “freedom and joyous individuality” of her playing, while The Strad described her rising-star status as “seemingly unstoppable”, after she won a whole series of international violin competitions. Not least among these was her livestreamed run to victory at the 2021 Menuhin Violin Competition, at which she won not only the first prize and audience prize, but also a global online following. 

María Dueñas signed an exclusive contract with Deutsche Grammophon in September 2022 and is opening her DG discography with the Beethoven Violin Concerto, for which she has composed her own cadenzas. Entitled Beethoven and Beyond, her debut album also includes five showpieces for violin and orchestra by Kreisler, Saint-Saëns, Spohr, Wieniawski and Ysaÿe, and a companion disc presenting cadenzas written by these same composers for the first movement of the Beethoven. Recorded live at the Vienna Musikverein with the Wiener Symphoniker and Manfred Honeck, Beethoven and Beyond will be released in May 2023.

The multi-faceted artist became fond of composing after she started writing cadenzas for Mozart´s violin concertos. A solo piano piece, Farewell, was awarded a prize in the 2016 “Von fremden Ländern und Menschen” Competition for Young Composers. Recorded by Evgeny Sinaiski, it was transformed into a music video filmed during the pandemic.

A dedicated chamber musician, María Dueñas has performed with baritone Matthias Goerne and pianist Itamar Golan, among other artists. She has also premiered several works written for and dedicated to her by the late Catalan composer Jordi Cervelló, including the Milstein Caprice.

Born in Granada in 2002, María Dueñas fell in love with classical music via the recordings her parents played constantly at home and the concerts she attended in her native city. She started playing violin at six and enrolled at Granada’s Conservatory a year later. In 2014 she was awarded a scholarship to study abroad by Juventudes Musicales Madrid and moved to Dresden to study at the Carl Maria von Weber College of Music. There she was soon spotted by violinist Wolfgang Hentrich and conductor Marek Janowsky, at whose invitation she would later make her debut as soloist with the San Francisco Symphony. In 2016, she and her family moved again, this time to Austria on the recommendation of her mentor Vladimir Spivakov, at the Music and Arts University of Vienna.

Her competition victories began with the 2017 Zhuhai International Mozart Competition and 2018 Vladimir Spivakov International Violin Competition. In addition to her success at the Menuhin Competition, 2021 saw her win first prize at the Getting to Carnegie Competition, the Grand Prize at the Viktor Tretyakov International Violin Competition, and the career advancement prize at the Rheingau Music Festival. She was also named as a BBC Radio 3 New Generation Artist 2021-23. In April 2023, she was awarded the prestigious Premio Princesa de Girona de las Artes y las Letras in her native Spain.

Last season she made her debuts with, among others, the Pittsburgh Symphony Orchestra and Oslo Philharmonic under Manfred Honeck, the Dresdner Philharmonie and Marek Janowski, the Orchestre Philharmonique du Luxembourg and Gustavo Gimeno, the Staatskapelle Berlin under Alain Altinoglu and the Royal Liverpool Philharmonic Orchestra and Domingo Hindoyan. María Dueñas also gave her first performance with the Los Angeles Philharmonic and Gustavo Dudamel at the Hollywood Bowl in August 2021. They joined forces again in May 2022 for the world premiere of Gabriela Ortiz’s violin concerto Altar de cuerda, of which she is the dedicatee, causing an international sensation and followed by sold-out performances at Carnegie Hall, in Boston and at the Cervantino Festival in Mexico.

After an outstanding success with Brahms' Violin Concerto in Madrid in April 2023, forthcoming highlights of the current season include Mendelssohn's Violin Concerto in Dresden with Chamber Orchestra of Europe under Herbert Blomstedt and Philadelphia Orchestra under Yannick Nézet-Séguin, as well as Lalo's Symphonie espagnole with Detroit Symphony Orchestra under Jader Bignamini, Pittsburgh Symphony Orchestra under Manfred Honeck, and NDR Elbphilharmonie Orchester under Alan Gilbert.

María Dueñas plays the Nicolò Gagliano violin of 17?4, kindly loaned by the Deutsche Stiftung Musikleben, and the Stradivari "Camposelice" of 1710 on generous loan from the Nippon Music Foundation.




10. June 2023 - 20:00

Detroit, Orchestra Hall at the Max M. and Marjorie S. Fisher Music Center

Edouard Lalo: Sinfonie Espagnole d-moll op. 21 für Violine und Orchester

Info & Tickets



14. June 2023 - 19:30

Pittsburgh, Heinz Hall

Edouard Lalo: Sinfonie Espagnole d-moll op. 21 für Violine und Orchester

Info & Tickets



16. June 2023 - 20:00

Pittsburgh, Heinz Hall

Edouard Lalo: Sinfonie Espagnole d-moll op. 21 für Violine und Orchester

Info & Tickets



  • After Ligeti came the highlight of the evening: María Dueñas and Brahms. A magnificent performance, delicate, musical, expressive, resoundingly powerful, technically impeccable. Is such a performance normal? No, it is not; it is, quite simply, extraordinary. One declares oneself verbally impotent in the face of such astonishing sublimity. (Übersetzung aus dem Spanischen)
    Scherzo
    Michael Thallium: "MADRID / ORTVE: María Dueñas, dueña y señora del Teatro Monumental", in: Scherzo, 14.04.2023
  • Ihre Mischung aus Straffheit und Elastizität, Elan und Sensibilität bezauberte genauso wie der fokussierte, leuchtstarke Ton ihrer Geige. Mehr noch als die Themenpräsentation fesselte ihre Aufwertung des figurativen Materials, die Emotionalisierungen der Akkordzerlegungen.
    Der Standard
    "Violinistin María Dueñas im Musikverein: Fesselnde Akkordzerlegungen", in: Der Standard, 26.01.2023
  • Seconds into the piece, the violin soloist, 19-year-old Maria Dueñas, stunned the crowd with her technical brilliance. Her emotive performance throughout the piece complimented her promising virtuosity.
  • In the introductory measures of the first movement, Dueñas’s opening notes really burned, the struck chords gleamed, the visceral impact of it all greater than what memory recalls about the first performance.
  • Poised and unshowy, she [Dueñas] owns this exceedingly difficult concerto [by Gabriela Ortiz]. Her tone is slender but so purposefully focused that it easily carries. You can tell that it is purposeful, because when Ortiz asks for a plum-rich, vibrating expressiveness, she manages that brilliantly.
    Los Angeles Times
    Mark Swed: „The environmental impact of composers Ellen Reid and Gabriela Ortiz, indoors and out”, in: Los Angeles Times, 18.05.2022



Lothar Schacke

Lothar Schacke

Director, General Management
e-mail
+49 89 44488790
Eva Oswalt

Eva Oswalt

Operations Manager
e-mail
+49 89 44488796
Anja Rauschardt

Anja Rauschardt

e-mail
Head of PR
+49 89 44488793