Franz-Josef Selig

Bass
© Marion Koell
General Management

Franz-Josef Selig is one of the most renowned singers internationally for serious bass roles such as Gurnemanz, King Marke, Sarastro, Rocco, Osmin, Daland, Fiesco, and Fasolt. He is at home in all the world's major opera houses (including the Bavarian State Opera, Vienna State Opera, La Scala in Milan, Teatro Real Madrid, the Paris opera houses, and the Metropolitan Opera in New York) as well as at prestigious festivals such as Bayreuth, Baden-Baden, Salzburg, and Aix-en-Provence. He has worked and continues to work with renowned orchestras and conductors, including Christian Thielemann, Sir Simon Rattle, Marek Janowski, Zubin Mehta, Semyon Bychkov, Riccardo Muti, Yannick Nezét-Séguin, Manfred Honeck, Antonio Pappano, Philippe Jordan, Daniel Harding, and many others.

The artist first completed his studies in church music at the Cologne University of Music before transferring to Claudio Nicolai's university singing class. He initially spent six years as a member of the ensemble at the Aalto Theater in Essen. Since then, Franz-Josef Selig has been working as a freelance singer.

The 2025/26 season will take the artist to Geneva as Landgraf in Wagner's Tannhäuser under the baton of Mark Elder. He will return to the Vienna State Opera as Gurnemanz in Parsifal and as Daland in The Flying Dutchman. He will be heard as King Marke in Tristan and Isolde at the Hamburg State Opera and in a concert performance with the London Symphony Orchestra under Antonio Pappano, in Salzburg at the Mozart Week under the baton of Roberto González-Monjas as Sarastro in The Magic Flute, and in Mozart's Requiem, which he will also perform in Valencia under Alexander Liebreich. He will perform Beethoven's Missa solemnis in Boston under Andris Nelsons.

Numerous CD and DVD productions document the artistic range of this exceptional singer—from Bach's St. Matthew Passion to Mozart's The Magic Flute (Royal Opera London/Sir Colin Davis), Don Giovanni (Vienna State Opera/Riccardo Muti), Le nozze di Figaro (Salzburg Festival/Nikolaus Harnoncourt), The Abduction from the Seraglio(Gran Teatre del Liceu Barcelona/Ivor Bolton/Christoph Loy) to L'incoronazione di Poppea (Gran Teatre del Liceu Barcelona/David Alden/Harry Bicket).

He has recorded the role of Gurnemanz in Wagner's Parsifal with Christian Thielemann (Vienna State Opera, released by Deutsche Grammophon) and with Marek Janowski and the Berlin Radio Symphony Orchestra (Pentatone). The DVD of the production The Ring of the Nibelung (DG, produced by the Metropolitan Opera New York) with Franz-Josef Selig as Fasolt won the Grammy Award for Best Opera Recording in 2013. A DVD of The Flying Dutchman from the Bayreuth Festival (Thielemann/Gloger) has now been released. Deutsche Grammophon has released recordings of Mozart's The Abduction from the Seraglio and The Magic Flute conducted by Yannick Nezét-Séguin. On his CD “Prometheus“ (AVI label), accompanied by Gerold Huber, he combines songs by Schubert, Wolf, and Strauss.




26. September 2025 - 18:00

Genève 11, Grand Théâtre de Genève

Richard Wagner: Tannhäuser

Info & Tickets



28. September 2025 - 15:00

Genève 11, Grand Théâtre de Genève

Richard Wagner: Tannhäuser

Info & Tickets



1. October 2025 - 18:00

Genève 11, Grand Théâtre de Genève

Richard Wagner: Tannhäuser

Info & Tickets



  • "Die Besetzung entspricht in allen Positionen dem Niveau, wie es von einem Haus wie der Wiener Staatsoper zurecht erwartet wird. Franz-Josef Selig ist mit seinem profunden Bass ein in sich ruhender, souveräner Gurnemanz, der sich mit eloquenter Autorität zwischen den Grals- bzw. Gefängnisinsassen bewegt und dort auch mit seinen versierten Fertigkeiten als Tätowieren für Ausgleich sorgt. Michael Nagy als ein ausdrucksstarker Amfortas verkörpert glaubhaft Titurels, von Wolfgang Bankl energisch aus dem Off beigesteuerte Mahnung, dass er im Dienste seine Schuld zu büßen habe."
    nmz
    Joachim Lange: "Durchzittert und vergittert – Kirill Serebrennikovs „Parsifal“-Inszenierung in Wien", in: nmz, 08.04.2023
  • "Selig’s is truly a hugely imposing instrument, thrillingly resonant in its lower reaches, switching from the sepulchral to saturnine to mellow with ease. He proved to be a consummate communicator of the narratives, relishing the descriptive poetry as well, alive to every mood and inflection."
    Classical Source
    Alexander Campbell, „Franz-Josef Selig & Gerold Huber at Wigmore Hall – Carl Loewe, Hugo Wolf, Rudi Stephan“, in: www.classicalsource.com, 22.06.2019
  • "Even within an excellent cast, Franz-Josef Selig stole the show as King Marke. With a sonorous bass that filled the house, time seemed to stop for his Act II monologue. There was no melodrama. Selig just gave us a man of integrity torn apart by grief, managing to communicate a wealth of emotion in the short time allowed him. Thanks to Selig’s rendition, Tristan’s devotion to Marke was completely understandable, giving the second act the depth it needs to be truly heart-breaking."
  • „Franz-Josef Selig singt mit unangestrengtem, substanzreichem Bass einen tiefenentspannten Sarastro.“
    Badische Zeitung
    Georg Rudiger, „Der forcierende Vogelfänger“, in: Badische Zeitung, 10.07.2018
  • “Franz-Josef Selig (Gurnemanz) hat einen über einstündigen Monolog ab Vorspielende bis Verwandlung kurz vor Totenmessenanbeginn zu absolvieren; seine Textverständlichkeit muss als grandios bezeichnet sein, und sein sonorer Bass hat fast schon auswüchsiges Edelmaß. Der Mann ist als gesangliches Gesamtkunstwerk sensationell!!”



Elisabeth Ehlers

Elisabeth Ehlers

Director, General Management
e-mail
+49 89 44488790
Sophie Kurzbauer

Sophie Kurzbauer

e-mail
Assistant Artist Manager
+49 89 444887910

  HIGHLIGHTS 2023/2024