Patrick Grahl was born in Leipzig and was initially a member of the St. Thomas Choir of Leipzig under Georg Christoph Biller; he then went on to complete his singing training at the Felix Mendelssohn-Bartholdy Academy of Music in Leipzig with Professor Berthold Schmid, graduating with distinction in the master-class examination.  Patrick Grahl attended master-classes held by Peter Schreier, Gotthold Schwarz, Gerd Türk, Ileana Cotrubas and Prof. Karl-Peter Kammerlander which gave him decisive momentum for his artistic development.

While still a student Patrick Grahl was able to work on and perform roles such as Alfred (in Die Fledermaus by Johann Strauß), Tamino (in Mozart’s Die Zauberflöte) and Albert (in Albert Herring by Britten). He was also to be heard as the Young Servant in Elektra by Richard Strauss, and as Shepherd / Voice of a Young Sailor in Richard Wagner’s Tristan und Isolde at the Opéra National de Lyon. During the current season Patrick Grahl gives guest appearances as Don Ottavio in Mozart’s Don Giovanni at the Teatro La Fenice di Venezia.

In 2016 the tenor won first prize at the XX International Johann Sebastian Bach Competition in Leipzig.  He is already much in demand as an oratorio and concert singer and has been invited to perform as soloist with orchestras such as the Leipzig Gewandhausorchester, the Dresden Philharmonic, the NDR Radio Philharmonic, the Gürzenichorchester Cologne as well as the Accademia Nazionale di Santa Cecilia and the London Symphony Orchestra; he has worked with conductors such as Sir John Eliot Gardiner, Daniele Gatti, Hartmut Haenchen, Ludwig Güttler, Ton Koopman, Andrew Manze, Omer Meir Wellber, Stefano Montanari, Hans-Christoph Rademann and Leopold Hager. Patrick Grahl still has close ties with the St. Thomas Choir of Leipzig and with the Dresdner Kreuzchor.

There are interesting projects in the calendar: Jaquino in Beethoven's Fidelio at the Richard Strauss Festival conducted by Alexander Liebreich; in Stuttgart and Leipzig the St. Matthew Passion (Bach) under Hans-Christoph Rademann; in Saintes, Gent and Brussels the Missa Solemnis (Beethoven) under Philippe Herreweghe; at the Schubertiade in Schwarzenberg, a Schubert quartet evening together with Andè Schuen, Jan Petryka and David Steffens, accompanied by Daniel Heide; with the choral work Ruhr Mendelsshohn's Elias, in Wuppertal, Dortmund, Essen, Duisburg, Bochum and Gladbeck; a tour with the International Bach Academy under Hans- Christoph Rademann through the USA/Canada, and a. to Los Angeles, Princeton, Irvine, West Palm Beach and Montreal (St. Matthew Passion); in Zurich Mendelssohn's 'Lobgesang' with the Tonhalle Orchester Zurich under Paavo Järvi; Handel's 'Messiah' on a tour of Turnhout, Brussels, Leuven and Oostende with the Belgian National Orchestra under Ian Page; in Paris Kurt Weill's Berlin Requiem with Ensemble Intercontemporain, in Pittsburgh with the Pittsburgh Symphony Orchestra and in Rotterdam with the Rotterdam Philharmonic Orchestra under Manfred Honeck Mozart's Requiem.

Besides his many commitments on the concert and opera stage Patrick Grahl also has a dedicated interest in chamber music projects and recitals, for instance with his male voice quartet Thios Omilos or the ensemble Barockwerk Ost, with which in 2014 he won first prize of the Advancement prize for Early Music awarded by Saarland Radio and the Academy of Ancient Music in the Saarland.  Until 2013 Patrick Grahl was also awarded a scholarship by the Friedrich Ebert Foundation in Bonn.

Until 2013 Patrick Grahl was a scholarship holder of the Friedrich-Ebert-Stiftung, Bonn. In 2014 he won the 1st prize of the Early Music Promotion Prize of the Saarland Radio and the Academy for Early Music in Saarland with the Ensemble Barockwerk Ost. Until 2018 he was also a member of the Thios Omilos male quartet. Since then he has only been active as a soloist.

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